The American cuts I get I use for either jazz or marching band and I love the loud projection and response on them.

These reeds as a whole are fantastic, but this one specifically has given me months of hard work, all while sounding the same until the very end. I cannot recommend these reeds enough!

I got a 2.50 American Cut reed for Tenor and tried it with my fatboy Guardala mouthpiece and I liked it, but it felt a little too hard. So I got a 2.25 and I must say that it is incredible how good I feel with it, specially because of its consistency throughout all the register. I got a second 2.25 to see if they are consistent one compared to the other and yes, they are!!.

Consistency

The American Cut 2.25 on my 7* tenor mouthpiece gives me what I want. I didn’t expect a great sound like this from a synthetic reed, and I mean up and down, from low Bb to really high altissimo. And the sound is super quality. I see no need to fuss with cane anymore, not since the American Cut.