FAQ'S
HOW CAN WE HELP YOU?
Exchanges
Please visit our comprehensive Strength Chart Page to compare your current reed to the Légère reed of your choice. If you are just starting out and do not have a set strength, it is recommended that you start with a softer reed such as 2.0.If the strength you chose is not the correct one, we would be happy to exchange it. Find out more about our Exchange of Strength program.
Légère is proud to offer an Exchange of Strength program for single reed purchases with a receipt within 30 days of purchase. The Exchange of Strength program is open worldwide, regardless of where you purchased your reed.
Exchanges are limited to once per reed purchase and a maximum of five exchanges per year per customer. Exchanges are restricted to purchases made within the past thirty days.
For your health and safety, Légère never reuses or resells exchanged reeds.
If you are unsatisfied with your reed, for any reason and at any time, please Contact Us.
Double reed purchases are not eligible for our exchange of strength program.
Please note that slight leaking is not considered a manufacturing defect and can easily be fixed. Learn how to fix slight leaking on a double reed here. In the unlikely event that your reed is defective, please do contact us and we will be happy to help
We’re glad you’ve taken advantage of our Exchange of Strength policy!
Once you have successfully entered your exchange request, you will automatically receive an automatic confirmation email. Your request will be reviewed and follow up instructions on the next steps will be emailed to you within 2 business days.
Please check your junk or spam folders as there is a chance our email ended up there.
Please allow 2 business days for the new reed to be shipped after the exchange has been approved.
All packages are shipped via Canada Post from our facilities in Barrie, Canada and may take:
- 3-7 business days for Canadian orders
- 5-12 business days for USA orders
- up to 15 to 20 business days for all other international orders
Please note that USPS, Canada Post, and many other postal services around the world are experiencing delays due to the global pandemic. All exchanges are likely to take longer than anticipated to arrive as a result. We apologize in advance for any inconvenience this may cause.
Simply fill in one Exchange fo Strength form per reed exchange you would like to make. (Ex. if you have 2 reeds to exchange, you would fill out 2 forms).
Please note exchanges are limited to once per reed purchase and a maximum of five exchanges per year per customer. Exchanges are restricted to purchases made within the past thirty days.
Please ensure all required form fields are properly filled out while submitting your exchange form. If the Submit button is greyed out, it means there is required information missing.
The most commonly missed fields are:
- Postal Code
- Region (Address)
- Picture of receipt
To upload the image of your receipt, please click the “Choose File” button, and find the appropriate image on your computer.
Accepted file types for the receipt are: jpg, png. There is a maximum file size of 4 MB. The photo/screenshot of receipt must be uploaded within 30 days of purchase. The purchase date must be visible on the receipt.
Please note, it could take up to 30 seconds for the form to go through.
Pre-playing
To unpack the reed, remove it from the case or box carefully avoiding contact with the tip. While Légère reeds are durable, they can easily be damaged if mishandled or dropped. It is best to always handle your reed by the heel.
Playing
There is no need to moisten a Légère reed, it will play like a pre-moistened cane reed directly from the box.
Place the reed on the mouthpiece in the same position that you would put a cane reed and secure it with a ligature. Test the reed’s response either on the instrument or alone. You should feel a quick attack that speaks instantly. If you do not feel a fast attack the reed position or strength is incorrect. Move the reed back and forth trying a variety of positions and continue testing. If you cannot find a position that works well and it feels like the strength is incorrect please make use of Légère’s Exchange of Strength program.
Once the attack feels correct play the reed for a couple of minutes to warm it up. At this point, the reed is in playing condition. Depending on your playing style, the reed will need to be rotated after roughly 60 minutes. This is to extend the life of the reed, not improve your short-term tone. With proper rotation and care your reeds should last many months.
Storage and Cleaning
When you are finished playing on your reed, loosen the ligature and remove it from the mouthpiece. The reed can be cleaned periodically with water and a mild detergent. Légère single reeds should be stored in the case it came with or in a flat-surfaced reed case.
Due to the fact that polypropylene is non-porous, it is very difficult for bacteria to build on your reed.
At Légère, we have a network of the best distribution partners and retailers in over 50 countries around the world. This supply chain is put in place so we can continue to support local music stores and give back to your music community. Find a retailer near you.
Our online store is also available and currently ships to Canada and the USA.
Légère Reeds are distributed in over 50 countries around the world. Find a retailer near you, here.
To see a complete list of distributors, click here.
Légère’s online store is available for residents of Canada and the United States.
Please visit the retailer map to find a store near you.
Entered the wrong shipping information on youronline purchase? Accidentally bought the wrong strength or cut?
Should you need to alter your order, please contact ourcustomer servicedepartment as quickly as possible. They will be happy to assist pending the order has not left the warehouse.
Thank you for placing an online order with us!
You should receive a confirmation email immediately after your purchase. Your order will be shipped out within 2 business days and you will receive tracking information as soon as it leaves our warehouse. You will be able to track your package at every stage of the delivery until it reaches your final destination.
Please check your spam and junk folders if you do not see our emails in your inbox. Contact us if you need further help.
Thank you for your interest! We are humbled that you have found your sound using our reeds and want to work. You may applyhere.
Please be advised that the Légère Artist team reviews applications quarterly and only successful applicants will be contacted.
Unfortunately, the Légère manufacturing facilities and offices in Barrie, ON are not open for tours, visits, or playtesting. You can view of the manufacturing facilities and processhere!
Légère is proud to announce the launch of the Légère Studio! Located in the heart of Queen St West, Toronto, this space has been designed specifically with woodwind players in mind. Try reeds from our suite of products with the help of our knowledgeable staff and find the right reed for you!
Book your appointment at the following link – https://www.legere.com/visit-the-studio/
Altering Légère reeds is not necessary or recommended, as the reeds play directly out of the box. Bending stiffness is a function of elastic modulus and removing material will drastically reduce the strength of the reed. If you are interested in experimentation purchase reeds that are 0.5 to 1.0 step stronger than your appropriate strength.
If desired, the reeds can be scraped with fine sandpaper or a sharp blade, held perpendicular to the reed. They should be scraped from the top of the vamp towards the tip. Never sand or scrape against the grain of the reed.
Reeds that have been altered are not eligible for an exchange or refund. Clipping the reed with a conventional reed clipper is likely to cause longitudinal splits through the tip.
With proper care and maintenance, your Légère reed will give countless hours of playing and the Freedom to Perform.
Although it is not expected, if you experience slight leaking on youroboe reed, we suggest utilizing fish skin or Teflon tape. For best results, wrap the product around your Légère reed in the same manner that you would wrap a cane reed. This will create a tighter seal without affecting the sound.
While this is rare, yourbassoon reedcould slip off the bocal while you are practicing. Consider wrapping cigarette paper or coffee filter paper around the bocal to secure a tighter seal. Alternatively, you may gently ream the inside of the reed using a diamond reamer. This will not affect the sound or harm your instrument.
Our reeds have a slight “grain” pattern embedded in the material which can be mistaken for cracks. After long use, our reeds may develop fine lines down the vamp which in most cases, will not affect the sound. Due to the sensitivity of the reeds, particularly at the tip, improper care or excessive playing could cause damaging cracks.
To best avoid cracking and to elongate the lifespan of your reed, it is recommended to rotate between 2-3 Légère reeds. Depending on your playing style, the reed will need to be rotated after roughly 60 minutes. With proper rotation and care your reeds should last many months. Learn how to properly care for your reeds, here.
Should you experience cracks within 30 days, please contact us and we’d be happy to review your case.
Légère reeds are designed to fit almost all mouthpieces! We refrain from recommending specific mouthpiece manufacturers because every musician requires a unique sound. To find a good combination, test out different mouthpieces and Légère reed combinations. If you are unsure of where to start, find a#LegereArtistwhose sound you admire and see what they play!
Most concerns players have with their Legere reed comes from one of two issues – strength, or mouthpiece placement.
A player with the wrong strength can experience a difficult playing experience; the reed can be too hard and cause stuffiness, or too soft and close too easily. Both can be overcome by finding the right strength.
If you need to exchange a reed to find the right strength, visit our exchange form.
A player can also experience issues if the reed is not placed in the right spot on the mouthpiece. The tip of the reed should align exactly with the tip of the mouthpiece for optimal tone production.
If your issues persist, please contact us and our expert customer service can assist.
The right reed strength is determined mostly by player preference. Some players prefer softer reeds, and some prefer harder reeds. The strength of the reed affects the clarinet’s tone, responsiveness, and resistance. The strength also is affected by the type, size, and shape of the mouthpiece.
A reed that is too strong can feel resistant, stuffy, fuzzy in tone, or unfocused. It may simply not play! A reed that is too soft can lack control of tone, only playing loud, be out of tune, or “close down” when the reed cannot be controlled by the embouchure. Both of these pose problems for players, which is why the correct strength is essential for your reeds.
If you need to exchange a reed to find the right strength, visit our exchange form.
Rotating reeds is a common practice among saxophonists, and it offers several benefits:
- Even Break-In: Rotating reeds ensures that each part of the reed gets equal playing time. This helps promote even break-in.
- Extended Lifespan: By evenly distributing the wear on the reed, rotating helps to extend its lifespan. This means you can get more use out of each reed before needing to replace it.
- Consistent Performance: Different reeds can have slightly different characteristics, such as responsiveness and tone. Rotating reeds allows you to experience these variations more evenly, resulting in a more consistent performance overall.
Overall, rotating reeds is a simple yet effective practice that can contribute to better performance, longer reed lifespan, and more consistent tone quality for saxophonists.
2.50, or 2 1/2, is the most common strength of reed for beginners to purchase and use as their first reed. This strength provides the most balance of ease of playing and resistance.
Learning to play on reeds that are too strong can cause frustration, as the instrument’s response can be limited. Learning to play on reeds that are too soft can make the sound come easily, but it can stop critical embouchure development. 2.50 has been the strength that teachers have relied on for beginner players for many years to provide this balanced blend of resistance to help develop stronger embouchures, but still responding easily enough to make a sound and have fun with playing!
Whatever strength you use, you can rely on Légère reeds for your reeds!
If a reed feels too hard, you might experience difficulty in producing sound, especially at lower or softer dynamics. The tone may feel restricted, and you may tire quickly from the extra effort required. Additionally, a reed that’s too hard can cause discomfort or strain in your embouchure. With Legere, you canexchange a reedthat is too hard or too soft, within 30 days of purchase, to find the right product for you.
Yes, using a reed that is too soft can make it difficult to control the sound, especially at higher volumes or in demanding passages. On the other hand, a reed that is too hard can make playing more difficult, leading to fatigue and a more restricted tone. It’s best to use a reed that matches your skill level and playing style. If in doubt, it’s safer to start with a medium strength (2.50 is a good place to begin).
As you develop more control over your tone and embouchure, you may find that you need a slightly harder reed(e.g.,3.00 or 3.50) for a richer sound and more tonal control, moving up from the 2.50 strength which you may have began at. If you feel like the reed is too easy to play or lacks resistance, it might be time to try a stronger reed.
A softer reed(e.g., 2.00 to 2.50) requires less air and is easier to control, making it ideal for beginners or those looking for a lighter tone. A harder reed(e.g., 3.00 to 4.00) provides more resistance, producing a fuller, richer sound, which is preferred by some players for greater tonal control and volume. However, the most important thing is preference, and finding theright strengthfor your unique set-up and playing situation.
The BETA Testing Project is an initiative that involves both hobbyist and professional musicians in the development of Légère reeds. This project aims to speed up the release of new products while simultaneously giving players early access to highly anticipated reeds!
To become a BETA tester please apply here. Due to an overwhelming amount of applications, only chosen applicants will be contacted. All applications will be kept on file for consideration in future tests!
Guy Légère, scientist and co-founder, is busy creating new reeds and perfecting existing styles every single day. We are always working on multiple projects simultaneously. To get R&D updates, don’t forget to sign up to our monthly newsletter.
We promise we won’t stop until all woodwind instruments, no matter how rare, have a Légère reed to accompany them!
The word “synthetic” refers to the imitation of a natural product via chemical synthesis. Scientists create alternate formulations of naturally occurring materials to fix their natural faults and gain control over the final product. Eg: removing the inconsistency of cane while keeping its stiffness and density. Have you tried a Légère yet?
Légère reeds are engineered to sound and act like moist cane but with all the advantages and benefits of a synthetic.
Never need to be soaked – they instantly respond right out of the box.
- They are unaffected by weather, temperature, or humidity.
- They are consistent and reliable – they always work and sound like you expect.
- They are extremely cost effective – no more discarding of unplayable reeds.
- Long lasting – one reed should last you months.
By fixing naturally occurring defects in cane, players can focus on their music instead of their reeds.
You’ve been playing your reed for many months, and enjoying the freedom it gave you to just focus on the music. But how do you know when it’s time for a new one if the reed won’t die?
While they don’t just stop working mid-gig as a cane reed could, our reeds will soften over time. Eventually, the reed will soften too much, and it will cause it to not have the same quality of sound as a fresh new reed. As the reed ages, it will become progressively weaker along with your lip muscles, making all reeds later used of the same strength seem too hard. We recommend that you keep at least two-three reeds on hand, being mindful to rotate your reeds periodically. This will help ensure your embouchure does not weaken and the strength of the reeds stays for a longer period.
After a few months, introduce a new reed to the rotation of the same cut and strength. If the reed plays significantly better, it is time to change them all. If not, you can begin retiring the oldest reed in the rotation and continue doing so when they become too soft. This can happen on average after 2-6 months of playing. Please note, some people get more time with their reeds, depending on how often and how hard they play. It also varies by how many reeds are in the rotation – the more reeds, the longer they will all last.
While the lifetime of the reeds differs based on the amount it is used, most musicians agree that with proper care, one Légère reed will last for months. Students are typically able to have one reed last the entire scholastic semester or even longer. You can prolong the life of your reed by rotating between 2-3 Légère reeds after about an hour of hard playing or practice.
It is best to remove the Légère reed from the mouthpiece when done playing. Leaving it on the mouthpiece can make it easier to be damaged by accidental brushing against it and chipping or cracking it.
Store your Légère reed either in the reed case that it came with, or in a reed case that has a flat surface the tip can lie on. Reed cases that hold or pinch the tip of the reed can cause accidental damage to the sensitive tip.
Please note, the European and American Cut reeds are slightly wider at the tip than the Signature reeds for the same instrument, and so may not fit in some commercially available reed cases.
Yes! A nice added bonus of our reeds is that you can safely and comfortably wear lipstick, lipgloss and lip balm without affecting the reed. Simply wash the reed with mild soap and warm water after use to clean off any colour residue.
Légère reeds are made from food-grade polypropylene, which is BPA free. This is the same plastic that is used to make food packaging (yogurt containers) and is completely safe for oral contact.
Did you know that regardless of plastic material, recycling depots require items to be a large enough size in order to be accepted? Légère reeds are too small to fit the minimum size requirements despite being 100% recyclable polypropylene. With that said, there is an effective way to recycle Légère reeds! When your Légère reed has reached the end of it’s playing life, put it inside a sealed recyclable container with a number 5 recycling stamp (yogurt containers are a good option!). Recycle the container with your used Légère reed inside so it will be accepted as part of the larger item and recycled properly.
We are also hard at work at making our packaging completely recyclable – stay tuned for more information.
Breaking in a Légère reed for saxophone and clarinet properly can significantly improve its performance and lifespan. Here are some steps to take to ensure the smoothest break-in period for your new Légère reeds:
- Inspect the Reed: Before starting the break-in process, examine the reed for any imperfections or damage. Make sure it’s properly shaped and doesn’t have any chips or cracks.
- Play Test: Before playing on the reed, give it a quick play test to assess its initial response. It may sound a bit stiff or unresponsive at first, which is normal for a new reed.
- Play for Short Periods: Begin playing on the reed for short periods of time, gradually increasing the duration as you go.
- Monitor Progress: Pay attention to how the reed responds over time. As you continue to play on it, you should notice improvements in its tone, responsiveness, and overall playability.
- Maintain Proper Care: Once the reed is broken in to your liking, make sure to store it properly between uses. Store it in a reed case or reed holder to protect it from damage and maintain its condition.
Remember that breaking in a Légère reed is a gradual process, and it may take some time before you achieve the desired results. Be patient and consistent with your approach, and don’t hesitate to make adjustments as needed along the way.
Yes! But please do so very carefully. Légère reeds have a very sensitive profile and can change quickly when being adjusted. When taking off material, test the reed often to ensure that your changes are having the desired effect.
When adjusting double reeds, be mindful that cracks can occur with minimal pressure. Use light, scraping motions rather than deeper cutting motions to achieve your desired effects.
Please note that adjusting Légère reeds will void the guarantee and that it will no longer be eligible for exchange.
We do not make reeds specifically for Alto Clarinet, however, our Alto Saxophone reeds are absolutely suitable for the majority of mouthpieces. If for some reason you buy an Alto Saxophone reed that does not fit your mouthpiece, please make use of ourExchange Programto find a reed that you can use.
Here are some tips to help you get the most life out of your Légère reeds:
- Rotate Your Reeds: Avoid using the same reed every time you play. Rotate between multiple reeds to allow them to rest between uses and to minimize wear and tear on any single reed.
- Prevent Warping and Damage: Store your reeds in a reed case that puts minimal pressure on the tip of the reed to prevent damage or impact.
- Clean Your Mouthpiece: Regularly clean your mouthpiece to remove buildup of material that can degrade reed performance over time.
- Replace Worn Reeds: Know when it’s time to retire a reed and replace it with a new one. Signs of a worn-out reed include loss of responsiveness, diminished tone quality, and visible damage such as chips or cracks.
By following these tips, you can prolong the life of your Légère reeds and maintain consistent performance quality.
Knowing when a Légère reed needs replacement is essential for maintaining optimal performance. Here are some signs that indicate it may be time to make a change:
- Decreased Responsiveness: If you notice that your reed is not responding as well as it used to, meaning it’s harder to produce clear notes or articulations, it might be time for an adjustment or replacement.
- Change in Tone Quality: A decline in the quality of sound produced by your instrument could be due to a worn-out or improperly adjusted reed. If your tone becomes dull, airy, or inconsistent, it’s worth checking the condition of your reed.
- Visible Damage: Inspect your reed regularly for any visible signs of damage, such as cracks, chips, or warping. Even small imperfections can affect the reed’s performance and may indicate that it needs to be replaced.
- Age and Usage: Keep track of how long you’ve been using a particular reed and how frequently you play. Over time, reeds naturally wear out and lose their responsiveness, so regular replacement is necessary to maintain consistent performance quality.
If you notice any of these signs, it’s a good idea to inspect your Légère reed closely and consider whether it needs replacement.
Légère Reeds are not unbreakable. While they can be quite strong and flexible due to their durable molecular structure, they are still subject to breaking under sufficient force or pressure. Factors like the age and condition of the reed, as well as the amount of force applied to it, can cause issues. The thickness of the tip of a Légère Reed can be as thin as the width of several human hairs, contributing the care that needs to be taken to not drop, hit, or damage the tip.
Storing your Légère Reeds properly is important to maintain their quality and prevent them from warping or becoming damaged. Please view this video on how to store your Légère clarinet and saxophone reeds in the accompanying case.
Reed strength is crucial because it directly affects how the saxophone or clarinet responds to the player’s air pressure and embouchure (the position and pressure of the lips and mouth on the mouthpiece). Here’s why it’s important:
- Tone Quality: Softer reeds produce brighter tones, while harder reeds yield darker tones.
- Resistance: Softer reeds offer less resistance, making it easier to play, while harder reeds provide more resistance, requiring stronger embouchure control.
- Ease of Playing: Choosing the right reed strength ensures comfort and stability while playing.
- Compatibility: Reed strength should match the mouthpiece for optimal performance.
- Articulation and Technique: It influences articulation and response, impacting the player’s ability to perform fast passages and intricate music.
In essence, reed strength directly impacts sound, playability, and overall experience, making it essential for players to find the right balance.
There is no way to revive a worn out Legere reed. Once it has softened considerably and no longer produces the same vibrant tone you’re looking for, it may not be practical to continue using it for optimal sound.
The best way to prolong the life of the reed is to ensure that the reed is stored properly when not in use. A reed case or holder helps prevent warping and damage. If the reed is already warped, proper storage might help prevent further deterioration.
Legere Reeds do not require any humidification, preparation, or soaking before use. You can simply put the reed on and play!
Replaceyour reed when it becomes chipped, overly worn, or when it no longer produces a clean sound. If it feels uneven or doesn’t respond well, it’s time to discard it.
A chipped reed will produce uneven airflow and a poor tone. It may also be harder to control. Once damaged, it’s better toreplaceit than to continue using it.
It’s recommended to have at least 2-3 reeds for practice and performances, as reeds can wear out or become damaged unexpectedly. Sudden damage can occur when a reed is hit by something or dropped, which can be an unpleasant surprise! Having multiple reedsavailableis a great help for peace of mind going into performances and rehearsals.
The Classic comes from the first Légère prototype made in 1998 and is still beloved today! This stiffer reed produces a rich and dark sound. It is available in Standard Cut and German Cut for clarinet and Standard Cut and Studio Cut for saxophone. This reed is wonderful for students, marching bands and large ensembles but remains popular with players at all levels.
The Signature is a complete reinvention of our Classic reed. It is cut from a stiffer yet thinner material which produces a warm, rich tone in all registers. It is more flexible across the tip, giving it a full spectrum of overtones while utilizing minimal effort. This reed is most commonly played by intermediate and advanced players, including professionals worldwide. It is available for both Saxophone and Clarinet.
The European Cut, was introduced in 2016 and has been our best selling reed of all time! This reed is characterized by the shorter and wider vamp and an extra band of material along the spine. This provides rigidity without compromising the reed’s free blowing nature or high register stability. This reed is available for the Bb clarinet.
Please see our product pages for further information, or see them on our online shop.
We’re glad you’re here!
We make single reeds for clarinet (Bb, Eb, Bass and Contrabass) and saxophone (Sopranino, Soprano, Alto, Tenor, Baritone, Bass) in a variety of cuts and strengths to accommodate different skill levels and playing styles.
First, start by reviewing all our cuts, and narrow down which one is best for your playing style. Once you know which cut you would like to try, review our strength chart to compare your current reed to ours!
Don’t worry if you choose the wrong strength, we would be happy to exchange it for you for the correct one within 30 days of purchase and a receipt. To learn more about our exchange policy, click here.
Légère Tip: If you’re an advanced or professional player, you will most likely need the Signature
At the end of 2019, Légère is discontinuing the production of 1/4 strength increments in Classic and Studio Cut reeds for both clarinet and saxophone.
This change will make room for new clarinet and saxophone reeds that are currently in development. As prototype testing progresses, it is becoming clear that nearly all players prefer the new reeds to the Classics and the Studio Cut models.
1/4 strengths remain available in all Signature reeds (excluding the sopranino) and German Cut Classics.
Strengths being discontinued:
Classic for Saxophone & Clarinet 1.75, 2.25, 2.75, 3.25, 3.75, 4.25, 4.75
Studio Cut for Saxophone 1.75, 2.25, 2.75, 3.25
The following reeds for saxophone and clarinet are being discontinued at the end of 2019.
Classic for Saxophone & Clarinet 1.75, 2.25, 2.75, 3.25, 3.75, 4.25, 4.75
Studio Cut for Saxophone 1.75, 2.25, 2.75, 3.25
If your strength has been discontinued, please consider trying the more popular Signature. If you try this reed and you’re not completely satisfied, please make use of the exchange of strength policy.
If you have tried the Signatures, and still wish to play with the Studio or Classic cuts, please purchase a 1/4 strength harder than what you were playing before as the reeds get softer over time.
Légère produces bassoon and oboe reeds in a variety of strengths. This is to accommodate most skill levels and playing styles.
Oboe
We are proud to offer Medium-Soft, Medium and Medium-Hard European Scrape Oboe reeds. The Medium-Soft (MS) reed is the perfect choice for beginners, younger students or players with a relaxed embouchure. This cut is also great for players who are used to the American scrape. While the American Scrape reed is currently being worked on, we recommend trying the Medium Soft European Scrape in the meantime.
Most intermediate to advanced players should feel comfortable using the Medium strength reed. The Medium-Hard (MH), the original oboe reed, should be reserved for advanced individuals who are used to a stiffer embouchure or prefer a firmer reed.
Bassoon
Bassoon reeds come in Medium and Medium-Hard strengths. Most intermediate to advanced players should feel comfortable using the Medium strength reed. The Medium-Hard strength should be reserved for advanced players who are used to a stiffer embouchure or prefer a firmer reed.
Please note strength choice is subjective and differs greatly by player. These are mere suggestions to hopefully facilitate your decision. Double reeds are not eligible for our Exchange of Strength program and exchanges or refunds will be reviewed on a case by case basis.
Légère reeds sound almost identical to the best moist cane reed available. In fact, our Signature Series and European Cut reeds are preferred by the most prestigious musicians in the world, in the most traditional institutions like the Berlin and Vienna Philharmonic Orchestras.
As most players know, no two setups will sound exactly alike. This is why we recommend trying out a few different setups with your new Légère reed until you find the one that sounds best for you.
Take a listen! Can you tell the difference between cane and Légère?
Need help on picking the right strength? View our comprehensive strength charts.
You may have noticed our reeds are now in new packaging and that the naming is slightly different. Rest assured the reeds have remained the same!
To make things clear, here is a comprehensive list of the small changes made to the names:
Please note that oboe and bassoon reeds are now called: Oboe Classic and Bassoon Classic to better align with our single reed names. The reeds have not changed.
What is the American Cut Saxophone Reed?
The American Cut is the culmination of a 6-year research project to advance our Signature Series technology and create a reed that answers the needs of the world’s most discerning jazz musicians. I am proud to say, the American Cut delivers everything we set out to achieve, and much, much more.
What makes the American Cut so special?
From the very first note, the reed speaks without hesitation. It is effortlessly free-blowing, responsive, colourful, and loaded with personality. The reed’s unmistakable character is thanks to an entirely reinvented profile and heart, and a shorter and wider vamp. By drawing material from the edges toward the centre spine, the reed strikes a harmonious balance of responsiveness and control. Ultra-fine edges allow unrestrained vibration rewarding the player with a clear low-register and vibrant altissimo.
What type of player will enjoy the American Cut?
Jazz players from absolute beginners to renowned masters. The reed’s extremely playable nature, however, ensures that a broad range of artists will adore it, especially those who felt that the Signature reed did not match their tone.
Difference between American Cut, Signatures, Studios and Classic?
American Cut: The American Cut represents the next generation of Légère saxophone reeds. From the first note, the reed speaks with total ease while giving players just the right amount of edge. It is free-blowing, colorful, and loaded with personality.
Signature: An exceptional reed for musicians of all types but most enjoyed by classical performers. Play across all registers, in all dynamics, and with all the color and nuance you need from a reed.
Studio Cut: The Studio Cut is bold and punchy. Providing a hard-hitting and percussive tone, it is ideal for rock and live performances. The Studio Cut is a great option for players who have tried other Légère reeds but want even more volume and edge.
Classic: This reed is dark, focused, and with a solid core to its sound. Classics are thicker than other Légère reeds making them extremely long-lasting and durable. They are perfect for students and those in large ensembles.
We recommend ligatures that have some degree of flexibility. Because Legere reeds are slightly thinner than cane, ligatures that have a bit more flexibility to the space that holds the reed can be more beneficial to more steadily secure the reed to the mouthpiece.
There are many factors to whichstrengthreed should be used, but the most important factor is what is going to work best for you and your setup. Because of the many variations in tip openings, facing lengths, and the individual preferences of players, we cannot recommend anything without knowing more about your playing style. Pleasecontact usto inquire further about what Legere reed will work best for you.
Signature: An exceptional reed for musicians of all types but most enjoyed by classical performers. Play across all registers, in all dynamics, and with all the color and nuance you need from a reed.
Studio Cut: The Studio Cut is bold and punchy. Providing a hard-hitting and percussive tone, it is ideal for rock and live performances. The Studio Cut is a great option for players who have tried other Légère reeds but want even more volume and edge.
Classic: This reed is dark, focused, and with a solid core to its sound. Classics are thicker than other Légère reeds making them extremely long-lasting and durable. They are perfect for students and those in large ensembles.
NEW! American Cut: The American Cut represents the next generation of Légère saxophone reeds. From the first note, the reed speaks with total ease while giving players just the right amount of edge. It is free-blowing, colorful, and loaded with personality.
Please see our product pages for further information.
Breaking in a Légère reed for saxophone and clarinet properly can significantly improve its performance and lifespan. Here are some steps to take to ensure the smoothest break-in period for your new Légère reeds:
- Inspect the Reed: Before starting the break-in process, examine the reed for any imperfections or damage. Make sure it’s properly shaped and doesn’t have any chips or cracks.
- Play Test: Before playing on the reed, give it a quick play test to assess its initial response. It may sound a bit stiff or unresponsive at first, which is normal for a new reed.
- Play for Short Periods: Begin playing on the reed for short periods of time, gradually increasing the duration as you go.
- Monitor Progress: Pay attention to how the reed responds over time. As you continue to play on it, you should notice improvements in its tone, responsiveness, and overall playability.
- Maintain Proper Care: Once the reed is broken in to your liking, make sure to store it properly between uses. Store it in a reed case or reed holder to protect it from damage and maintain its condition.
Remember that breaking in a Légère reed is a gradual process, and it may take some time before you achieve the desired results. Be patient and consistent with your approach, and don’t hesitate to make adjustments as needed along the way.
Storing your Légère Reeds properly is important to maintain their quality and prevent them from warping or becoming damaged. Here are some tips on how to store your Légère clarinet and saxophone reeds:
- Reed Case: Invest in a good quality reed case. These cases typically have individual slots for each reed, keeping them separated and protected from each other. The case provided with all new Légère reeds is an excellent option as well. the ideal reed case either keeps the reed tip floating, or allows it to lay flat with no pressure on the tip or sides of the reed. Watch the video here for the optimal use of this case.
- Clean Mouthpiece: Before storing your reeds, ensure that your saxophone mouthpiece is clean and free from any residue.
- Rotate Reeds: If you have multiple reeds, rotate their use regularly. This prevents one reed from becoming overused while others remain unused for extended periods, which can affect their performance.
- Avoid Pressure: Do not store heavy items on top of your reed case, as this can damage the delicate reeds.
- Hygiene: Ensure your hands are clean before handling the reeds to prevent transferring dirt or oils onto them, which can affect their performance and lifespan.
By following these tips, you can help ensure that your Légère Reeds remain in good condition and ready for use whenever you need them.
There is no way to check a Legere reed for it’s strength based on visual appearance.
There is no way to revive a worn out Legere reed. Once it has softened considerably and no longer produces the same vibrant tone you’re looking for, it may not be practical to continue using it for optimal sound.
The best way to prolong the life of the reed is to ensure that the reed is stored properly when not in use. A reed case or holder helps prevent warping and damage. If the reed is already warped, proper storage might help prevent further deterioration.
Generally speaking, the typical marching band setup for clarinet involves an closed tip mouthpiece with a 2.50-3.00 strength reed.
Marching Band Clarinet Mouthpieces
- Yamaha 4C
- Clark Fobes Debut
- Selmer HS*
- Vandoren B45
Most players use a 2.50 or 3.00 in Classic or Signature to begin with for their marching band needs.
Generally speaking, the typical chamber music or solo clarinet setup involves an closed tip mouthpiece with a stronger strength reed. Many players of these genres prefer reeds in strengths from 3.25-4.00, though many players also use stronger or softer, depending on their needs. Depending on how open the tip of the mouthpiece is often indicates what strength of reed may be preferred. In general, the more closed the mouthpiece is, the stronger the reed many players prefer, but there are many who prefer different strengths and tip openings, depending on the sound they are looking for.
Orchestral Clarinet Mouthpiece Recommendations
- Backun Vocalise or CG
- Vandoren 5RV, BD5, or B45
- D’Addario Reserve
- Selmer Focus or Concept
- Clark Fobes
- Brad Behn
- Chedeville
There are many other options for mouthpieces, and all will work well with a stronger strength Légère reed, and many players in this style prefer the European Cut for clarinet.
Generally speaking, the typical orchestral clarinet setup involves an closed tip mouthpiece with a stronger strength reed. Many players of these genres prefer reeds in strengths from 3.25-4.00, though many players also use stronger or softer, depending on their needs. Depending on how open the tip of the mouthpiece is often indicates what strength of reed may be preferred. In general, the more closed the mouthpiece is, the stronger the reed many players prefer, but there are many who prefer different strengths and tip openings, depending on the sound they are looking for.
Orchestral Clarinet Mouthpiece Suggestions
- Backun Vocalise or CG
- Vandoren 5RV, BD5, or B45
- D’Addario Reserve
- Selmer Focus or Concept
There are many other options for mouthpieces, and all will work well with a stronger strength Légère reed, and many players in this style prefer the European Cut for clarinet.
Generally speaking, the typical jazz clarinet setup involves an open tip mouthpiece with a soft to medium strength reed. Many players of these genres prefer reeds in strengths from 2.00 to 3.00, though many players also use stronger or softer, depending on their needs. Depending on how open the tip of the mouthpiece is often indicates what strength of reed may be preferred. In general, the more open the mouthpiece is, the softer the reed many players prefer, but there are many who prefer different strengths and tip openings, depending on the sound they are looking for.
Jazz Clarinet Mouthpiece Suggestions
- Vandoren 5JB or 7JB
- Pomarico Jazz
- Jody Jazz HR*
There are many other options for mouthpieces, and all will work well with a soft to medium strength Légère reed, and many players in this style prefer the European Cut for clarinet.
Storing your clarinet properly when not in use is essential for its longevity and performance. Here are some tips on the best way to store your clarinet:
- Before storing your clarinet, make sure to clean and swab it thoroughly.
- Store your clarinet in a sturdy, padded case designed specifically for clarinets. The case should provide adequate protection from dust, moisture, and physical damage.
- Store your clarinet in a location with stable temperature and humidity levels. Avoid exposing it to extreme temperatures, which can wear and dry pads and corks.
- It’s generally best to store your clarinet in its case. However, if the instrument can be stored safely on a clarinet stand, ready to go, you may find you practice more if you don not need to pack it up or re-assemble each time. If your space is prone to lots of movement, it may be best to store in the case.
If your clarinet is made from wood, it is especially important to swab, maintain humidity, and put the instrument away when not in use. Wooden instruments are susceptible to changes in temperature, humidity, and more, and can crack if not maintained properly. This can cause severe damage, so follow best practices with care and storage for wooden instruments.
By following these tips, you can help ensure that your clarinet remains in excellent condition while it’s not in use.
Practicing the clarinet effectively requires a well-rounded routine that covers various aspects of playing. Here are some suggestions for creating an effective practice routine:
Warm-up:
Begin with long tones to focus on tone production and intonation. Hold each note for an extended period, focusing on producing a clear, resonant sound.
Scales and Arpeggios:
Practice scales in all keys, focusing on evenness of tone, articulation, and intonation. Use a scale book, like Pares Scales, to help!
Incorporate different scale patterns (e.g., thirds, fourths, chromatic scales) to improve technique and finger dexterity.
Practice arpeggios and chord progressions to develop fluency in harmony and improve finger coordination.
Technical Exercises:
Include exercises such as finger dexterity drills, articulation exercises (e.g., tonguing patterns), and octave jumps to improve agility and control over the instrument. Use method books like the Rose Etudes, Rubank Advanced Method, or Velocity Studies for structured technical exercises.
Etudes:
Work on etudes that target specific technical and musical challenges. Etudes help improve phrasing, articulation, dynamics, and overall musicality. Choose etudes from standard clarinet repertoire books such as the Rose Etudes, Klose Celebrated Method, or the Voxman Selected Studies for Clarinet.
Consistency and Patience:
Practice regularly and consistently to build muscle memory and improve overall proficiency on the instrument.
Be patient and persistent, as progress may be gradual but consistent practice yields results over time.
Customize your practice routine to address your specific strengths and weaknesses, and don’t hesitate to seek guidance from a qualified clarinet teacher or mentor for personalized feedback and instruction.
Rotating reeds is a common practice among clarinetists, and it offers several benefits:
- Even Break-In: Rotating reeds ensures that each part of the reed gets equal playing time. This helps promote even break-in.
- Extended Lifespan: By evenly distributing the wear on the reed, rotating helps to extend its lifespan. This means you can get more use out of each reed before needing to replace it.
- Consistent Performance: Different reeds can have slightly different characteristics, such as responsiveness and tone. Rotating reeds allows you to experience these variations more evenly, resulting in a more consistent performance overall.
Overall, rotating reeds is a simple yet effective practice that can contribute to better performance, longer reed lifespan, and more consistent tone quality for clarinet players.
Classical clarinet playing and jazz clarinet playing differ not only in style and technique but also in the gear used to achieve their respective sounds and performance needs for their individual playing. Here’s how their gear choices typically differ:
- Mouthpieces:
- Reeds:
- Ligatures:
Yes, reed choice can impact intonation. Softer reeds tend to flatten the pitch, especially in the higher registers, while harder reeds can make the low notes more sharp or difficult to control. Finding the right reed strength for your embouchure and playing style helps improve consistent pitch across the entire range of theclarinet.
When it comes to marching with clarinets, players often have practical concerns and questions related to maintaining performance quality and instrument care under the unique conditions of marching band settings. Here are some common questions:
- How do I maintain good posture and balance while marching with a clarinet?
Hold the clarinet with relaxed yet firm grip. Maintain stability with the instrument while in motion. Stand tall with straight back and aligned spine. Practice slow, deliberate steps to adjust to movement. Practice deep diaphragmatic breathing for playing. Regularly practice marching drills for improvement.
- What are the best techniques for playing clarinet while marching?
Maintain stable embouchure for consistent tone. Prioritize tone, intonation, and articulation. Keep muscles relaxed, especially shoulders and hands. Consider using a harness or neck strap for support.
- How should I protect my clarinet from damage during outdoor performances?
Keep clarinet shaded to avoid sunlight damage. Use a sturdy, padded case designed for outdoor use. Swab out moisture regularly to prevent water damage. Clean and inspect clarinet post-performance. Schedule regular maintenance with a technician.
- How can I manage reed performance and durability while marching?
Rotate between multiple reeds to prolong their lifespan. Store reeds in a protective case. Replace reeds when they show signs of wear. Use high-quality reeds suitable for outdoor use.
We recommend the Legere Classic reeds for clarinets to provide a rich, robust tone with excellent projection and durability for the marching season.
Sometimes! The type ofclarinetcan affect reed strength. Bb clarinets often use 2.50-4.25 strength reeds,bass clarinets sometimes require stronger reeds, usually in the 3.00-3.50 range, and Eb clarinets might use slightly stronger reeds, around 3.25-3.75. Always choose a reed strength suited to the instrument and your playing level.
Generally speaking, the typical marching band setup for saxophone involves an closed tip mouthpiece with a 2.50-3.00 strength reed.
Marching Band Saxophone Mouthpieces
- Yamaha 4C
- Clark Fobes Debut
- Selmer C*
- Vandoren Optimum
Most players use a 2.50 or 3.00 in Classic or Signature to begin with for their marching needs.
Generally speaking, the typical classical saxophone setup involves a closed tip mouthpiece with a stronger reed. Many classical players use 3.00 strength reeds or stronger, all the way to strength 4.00. Depending on how closed the tip of the mouthpiece is often indicates what strength of reed may be preferred. In general, the more closed the mouthpiece is, the stronger the reed many players prefer.
Standard Classical Saxophone Mouthpieces
- Selmer S80 or Concept
- Rousseau NC
- D’Addario Reserve
- Vandoren Optimum or Profile
There are many other options for mouthpieces, and all will work well with a stronger Légère reed, in the Signature or American Cut.
Generally speaking, the typical contemporary (jazz fusion, R&B, pop, rock) saxophone setup involves an open tip mouthpiece with a softer reed. Many players of these genres prefer reeds in strengths from 2.00 to 2.50, though many players also use stronger or softer, depending on their needs. Depending on how open the tip of the mouthpiece is often indicates what strength of reed may be preferred. In general, the more open the mouthpiece is, the softer the reed many players prefer.
Some Great Contemporary Saxophone Mouthpieces
- Selmer Super Session
- Jody Jazz Jet or Super Jet
- Theo Wanne Shiva
- Berg Larsen metal mouthpieces
- Dukoff metal mouthpieces
- Vandoren JAVA or Jumbo JAVA
There are many other options for mouthpieces, and all will work well with a softer Légère reed, and many players in this style prefer the American Cut.
The question of a high F# key is somewhat contentious for modern saxophone players. It is not a completely needed key, but it does help with the production of one note – high F#.
Many contemporary works for classical saxophone do call for this high F# after the key first started becoming standard in the late 60’s and early 70’s. It also became popular for jazz players looking to increase their range without needing to learn altissimo fingerings.
This being said, is it required to play high F#? No, just like front F or high F, high F# can be played with the front F key and several different fingering combinations. There are also other ways to begin exploring the high register with the use of altissimo fingerings.
Some players do find that the high F# key, as a result of the addition of an extra tonehole and more keywork, changes the timbre and response of a saxophone as well, which is why some modern saxophone companies are making versions of their saxophones without this key. It is up to the preference of the player what they like best, whether they wish to have a horn with or without the high F# key.
Generally speaking, the typical jazz saxophone setup involves a medium-open tip mouthpiece with a medium-strength reed. Many players of these genres prefer reeds in strengths from 2.50 to 3.00, though many players also use stronger or softer, depending on their needs. Depending on how open the tip of the mouthpiece is often indicates what strength of reed may be preferred. In general, the more open the mouthpiece is, the softer the reed many players prefer, but there are many who prefer different strengths and tip openings, depending on the sound they are looking for.
A Few Great Jazz Mouthpieces
- Jody Jazz Custom Dark or DV series
- Theo Wanne Gaia or Ambika
- Otto Link hard rubber or Super Tone Master
- Vandoren V5 or JAVA
- Meyer hard rubber mouthpieces
- D’Addario Jazz Select
There are many other options for mouthpieces, and all will work well with a medium strength Légère reed, and many players in this style prefer the American Cut or the Signature, depending on how much brightness they wish to add to their tone.
Storing your saxophone properly when not in use is essential for its longevity and performance. Here are some tips on the best way to store your saxophone:
- Before storing your saxophone, make sure to clean and swab it thoroughly.
- Store your saxophone in a sturdy, padded case designed specifically for saxophones. The case should provide adequate protection from dust, moisture, and physical damage.
- Store your saxophone in a location with stable temperature and humidity levels. Avoid exposing it to extreme temperatures, which can wear and dry pads and corks.
- It’s generally best to store your saxophone in its case. However, if the instrument can be stored safely on a saxophone stand, ready to go, you may find you practice more if you don not need to pack it up or re-assemble each time. If your space is prone to lots of movement, it may be best to store in the case.
By following these tips, you can help ensure that your saxophone remains in excellent condition while it’s not in use.
Practicing the saxophone effectively requires a well-rounded routine that covers various aspects of playing. Here are some suggestions for creating an effective practice routine:
Warm-up:
Begin with long tones to focus on tone production and intonation. Hold each note for an extended period, focusing on producing a clear, resonant sound.
Scales and Arpeggios:
Practice scales in all keys, focusing on evenness of tone, articulation, and intonation. Use a scale book, like Pares Scales, to help!
Incorporate different scale patterns (e.g., thirds, fourths, chromatic scales) to improve technique and finger dexterity.
Practice arpeggios and chord progressions to develop fluency in harmony and improve finger coordination.
Technical Exercises:
Include exercises such as finger dexterity drills, articulation exercises (e.g., tonguing patterns), and octave jumps to improve agility and control over the instrument. Use method books like the Ferling Etudes, Rubank Advanced Method, or the Universal Method for Saxophone for structured technical exercises.
Etudes:
Work on etudes that target specific technical and musical challenges. Etudes help improve phrasing, articulation, dynamics, and overall musicality. Choose etudes from standard saxophone repertoire books such as the Ferling Etudes, or the Voxman Selected Studies for Saxophone.
Consistency and Patience:
Practice regularly and consistently to build muscle memory and improve overall proficiency on the instrument.
Be patient and persistent, as progress may be gradual but consistent practice yields results over time.
Customize your practice routine to address your specific strengths and weaknesses, and don’t hesitate to seek guidance from a qualified saxophone teacher or mentor for personalized feedback and instruction.
Rotating reeds is a common practice among saxophonists, and it offers several benefits:
- Even Break-In: Rotating reeds ensures that each part of the reed gets equal playing time. This helps promote even break-in.
- Extended Lifespan: By evenly distributing the wear on the reed, rotating helps to extend its lifespan. This means you can get more use out of each reed before needing to replace it.
- Consistent Performance: Different reeds can have slightly different characteristics, such as responsiveness and tone. Rotating reeds allows you to experience these variations more evenly, resulting in a more consistent performance overall.
Overall, rotating reeds is a simple yet effective practice that can contribute to better performance, longer reed lifespan, and more consistent tone quality for saxophonists.
Classical saxophone playing and jazz saxophone playing often involve different gear choices to suit their respective styles and performance needs for each of the individual players. Here are some typical differences in gear:
- Mouthpieces:
- Reeds:
- Ligatures:
Marching with saxophones presents its own set of challenges and considerations, prompting players to seek answers to various questions to optimize their performance and instrument care during marching band activities. Here are some common questions players may have:
- How do I maintain good posture and balance while marching with a saxophone?
Maintain stability with the instrument while in motion. Stand tall with straight back and aligned spine. Practice slow, deliberate steps to adjust to movement. Practice deep diaphragmatic breathing for playing. Regularly practice marching drills for improvement.
- What are the best techniques for playing saxophone while marching?
Maintain stable embouchure for consistent tone. Prioritize tone, intonation, and articulation. Keep muscles relaxed, especially shoulders and hands.
- What should I do to protect my saxophone from damage during outdoor performances?
Keep clarinet shaded to avoid sunlight damage. Use a sturdy, padded case designed for outdoor use. Swab out moisture regularly to prevent water damage. Clean and inspect clarinet post-performance. Schedule regular maintenance with a technician.
- How can I manage saxophone reeds effectively while marching?
Rotate between multiple reeds to prolong their lifespan. Store reeds in a protective case. Replace reeds when they show signs of wear. Use high-quality reeds suitable for outdoor use.
We recommend the Legere Classic reeds for saxophones to provide a rich, robust tone with excellent projection and durability for the marching season.
Yes, reed choice can significantly affect a saxophone’s intonation across different registers. Here’s how:
Reed Hardness and Flexibility
- Hard Reeds: Generally, harder reeds provide more resistance and can offer greater control over intonation. They might help with stability in the higher registers, but if too hard, they can also be more challenging to play and may make it difficult to achieve proper intonation.
- Soft Reeds: Softer reeds are easier to play and require less air pressure, which can be beneficial for low-register notes. However, they may lack the control needed for precise intonation in higher registers, leading to potential pitch inconsistencies.
Impact on Different Registers
- Low Register: A softer or more flexible reed can help produce a warmer, fuller sound in the lower register and make it easier to play lower notes. However, if too soft, it might lead to problems with intonation and stability.
- Middle Register: A well-balanced reed that provides consistent resistance can help with intonation in the middle register, allowing for smooth transitions between low and high notes.
- High Register: For the upper register, a reed that is slightly harder or more resilient can help with stability and control. A reed that’s too soft might result in flat notes or difficulty achieving a stable pitch in the higher range.
Mouthpiece Compatibility
- Reed and Mouthpiece Match: The compatibility between the reed and mouthpiece plays a significant role in intonation. A reed that works well with one mouthpiece might not perform as well with another. Ensuring that the reed and mouthpiece complement each other can help achieve better intonation across registers.
Personal Playing Style
- Playing Technique: Individual playing style and technique can influence how a reed affects intonation. Some players might find certain reeds more suited to their playing style, while others may need to experiment with different options to achieve the best results.
Yes, reeds are typically sized to fit the specific mouthpieces of eachsaxophone. Alto reeds are shorter and thinner than tenor reeds, and soprano reeds are the smallest of all, designed to match the corresponding mouthpiece sizes. It is not advised to use reeds meant for a certain size of saxophone on a different saxophone size.
Standard reedsare thinner at the tip and have a more gradual taper, offering asofter, warmer tone. They are typically used for classical playing.German cut reedsare usually thicker at the tip, providing morestability and a fuller sound, however they only work for German clarinet mouthpieces with German style instruments.
The type ofsaxophoneyou play can affect reed selection.Alto and tenor saxophonesgenerally use reeds in the range of2.00 to 4.00 strength, whilesoprano saxophonesoften require slightly harder reeds (e.g.,2.50 to 4.00) due to the higher pitch and the need for extra stability. Thebaritone saxophonetypically uses slightly softer reeds. However, this is also based entirely on preference, and some players may find they prefer strengths outside of these ranges. It’s important to match the reed’s size and strength with the specific saxophone for optimal performance. It is also important tofind the strengththat works best for you and your needs.
There are many characteristics that change from mouthpiece to mouthpiece, but one of the key factors is tip opening. The tip opening of a mouthpiece is the measurement from the tip of the mouthpiece to the reed. Mouthpieces open up from the table of the mouthpiece to the tip opening (part of this area is called the facing length, which is another important mouthpiece measurement), but the degree to which it is opened up at the end is significant, as that is where the tip of the reed vibrates. The bigger the space for the reed to vibrate creates a different tone.
Some saxophone players like having a large space for the reed to vibrate (a large tip opening), and some prefer having a smaller space (a small tip opening) and of course there are many sizes of both and in between. A larger tip opening does mean that a player needs to have certain control of the embouchure, otherwise the reed may not vibrate to it’s full extent. The tone is different from a smaller tip opening to a larger one, due to the amount of vibration the reed is allowed. Because of this extra control required, the larger tip openings generally work well with a softer reed; jazz and contemporary players tend to prefer this combination. Conversely, a smaller tip opening works well, generally, with stronger reeds, providing the dark and full tone preferred by classical saxophonists.
However, there are many variations in preference, and every player, with their unique embouchure and oral cavity, will have their own choices for mouthpiece and reed combination.
Reed strength is a hotly debated topic in all single reed communities. There are many differing opinions on why certain strengths are “better” than others, and why some players should prefer certain reeds for certain playing scenarios. The most important factor should be finding the reed that works with the player’s individual setup and embouchure.
For many young players, there is a belief that the stronger the reed is, the better the player. This is untrue, as a stronger reed is simply a reed that provides more resistance. Many young players work their way to a strong reed without considering other factors and may have to work very hard to make the reed sound. Reeds that are too strong for a player may not produce a full, rich tone, and vibrate with “air” in the produced tone. This is a good indication that the player would do well with a softer reed.
For some players with strong embouchures, a reed that is too soft will “close up” too easily, and not provide enough resistance. This is a good indication that they may need a stronger reed to match their needs better.
Further, a reed that does not match the embouchure and mouthpiece will have other issues of concern. The conventional wisdom is that more open mouthpieces do well with a softer reed, allowing it to vibrate more freely and easily in the larger tip opening. Conversely, a more closed mouthpiece works well with a stronger reed, which allows it to vibrate in a manner that works well with the smaller tip opening. This is a generalization, and is not always the case, as every player has a unique embouchure and oral cavity, contributing further to the complexities of mouthpiece and reed combinations.
This is a complex and varied topic, with few “right” answers. However, it can be said with certainty that simply moving up to a very strong reed is not always the ideal option.
There are many reasons why Légère Reeds differ from other brands of synthetic reeds. Among these reasons are materials used, manufacturing methods, and others.
To begin, Légère Reeds are made from 100% polypropylene, with no added fillers or other materials inside. Some synthetic reeds have other materials mixed in, like blended cellulose, other synthetic fibres like acrylic, carbon fibres, or even strands or fibres of cane. Légère is made purely from one material, which is 100% BPA-free, non-toxic and food safe. The benefit of this single material is full control over the material, its origin, and it’s reliability.
The material Légère reeds are made from also undergoes a completely unique, and proprietary, procedure, which orients the synthetic material on a molecular level. This provides full control over the density and directional stiffness of the reed. This full control allows for production of reeds of any size, strength, or design that is possible and no other synthetic reed brand is known to utilize the same procedure in their materials development.
The manufacturing of a Légère reed is on par with some of the most delicate machining possible, cut on 4-axis CNC (computer numeric controlled) machines, like one might find in aerospace or other manufacturing with extreme tolerance requirements. Some other synthetic reeds are made by injection molding their material, which can cause irregularities during the cooling process, and does not allow for complete control over the density of the reed; density being one of the most important factors in how a reed vibrates. Other synthetic reeds are manufactured with other materials embedded in the injection molding process, which can also cause irregularities. Legere reeds are cut from larger pieces of material into blanks, which are fed into the CNC machines. These machines cut using spinning blades and cut the material to within tolerances of fractions of a millimeter.
Of course, there are many other things that make Légère Reeds unique among synthetic reed brands besides the materials and manufacturing. These include our individual testing of every reed on custom machinery to determine strength, or the delicate hand-finishing that goes into every reed. There is also the commitment to innovation and development that Légère has, to continue working on new and exciting products. Légère is always working to give musicians the Freedom to Perform.
The best way to improve tone on saxophone or clarinet is to practice! If you have an instructor or tutor, ask them what to practice and continue working on to improve your sound. If you do not, there are many online videos and services that you can use to learn more about what to work on to improve your sound.
Listening to other players is also a very good way to learn more about your own playing. Listening to other musicians is a cornerstone of working on your own musical ideas.
Finally, a quick way to explore new sounds is to experiment with your setup. Trying new reeds, mouthpieces, ligatures, and instruments is a great way to try something out!
Most concerns players have with their Legere reed comes from one of two issues – strength, or mouthpiece placement.
A player with the wrong strength can experience a difficult playing experience; the reed can be too hard and cause stuffiness, or too soft and close too easily. Both can be overcome by finding the right strength.
If you need to exchange a reed to find the right strength, visit our exchange form.
A player can also experience issues if the reed is not placed in the right spot on the mouthpiece. The tip of the reed should align exactly with the tip of the mouthpiece for optimal tone production.
If your issues persist, please contact us and our expert customer service can assist.
There are several reasons why bassoons are not typically used in marching bands:
- Bassoons are large and bulky instruments, making them impractical for the physical demands of marching.
- Bassoons are delicate instruments, particularly vulnerable to damage from outdoor conditions such as weather and rough handling during marching maneuvers.
- Bassoons produce a soft, mellow sound that might not project well in outdoor settings or over the sound of larger marching band instruments like brass and percussion.
- The bassoon is not traditionally associated with the types of music commonly performed by marching bands, which often favor brass, woodwind, and percussion instruments that can project in an outdoor environment.
Overall, while the bassoon is a versatile and expressive instrument in other musical contexts, its size, fragility, and sound characteristics make it less suitable for the rigorous demands of marching bands.
For occasions where bassoon performance in marching, particularly in featured solos, we recommend the Legere bassoon reed for ease of playing outdoors in changing climate conditions.
Marching with saxophones presents its own set of challenges and considerations, prompting players to seek answers to various questions to optimize their performance and instrument care during marching band activities. Here are some common questions players may have:
- How do I maintain good posture and balance while marching with a saxophone?
Maintain stability with the instrument while in motion. Stand tall with straight back and aligned spine. Practice slow, deliberate steps to adjust to movement. Practice deep diaphragmatic breathing for playing. Regularly practice marching drills for improvement.
- What are the best techniques for playing saxophone while marching?
Maintain stable embouchure for consistent tone. Prioritize tone, intonation, and articulation. Keep muscles relaxed, especially shoulders and hands.
- What should I do to protect my saxophone from damage during outdoor performances?
Keep clarinet shaded to avoid sunlight damage. Use a sturdy, padded case designed for outdoor use. Swab out moisture regularly to prevent water damage. Clean and inspect clarinet post-performance. Schedule regular maintenance with a technician.
- How can I manage saxophone reeds effectively while marching?
Rotate between multiple reeds to prolong their lifespan. Store reeds in a protective case. Replace reeds when they show signs of wear. Use high-quality reeds suitable for outdoor use.
We recommend the Legere Classic reeds for saxophones to provide a rich, robust tone with excellent projection and durability for the marching season.
When it comes to marching with clarinets, players often have practical concerns and questions related to maintaining performance quality and instrument care under the unique conditions of marching band settings. Here are some common questions:
- How do I maintain good posture and balance while marching with a clarinet?
Hold the clarinet with relaxed yet firm grip. Maintain stability with the instrument while in motion. Stand tall with straight back and aligned spine. Practice slow, deliberate steps to adjust to movement. Practice deep diaphragmatic breathing for playing. Regularly practice marching drills for improvement.
- What are the best techniques for playing clarinet while marching?
Maintain stable embouchure for consistent tone. Prioritize tone, intonation, and articulation. Keep muscles relaxed, especially shoulders and hands. Consider using a harness or neck strap for support.
- How should I protect my clarinet from damage during outdoor performances?
Keep clarinet shaded to avoid sunlight damage. Use a sturdy, padded case designed for outdoor use. Swab out moisture regularly to prevent water damage. Clean and inspect clarinet post-performance. Schedule regular maintenance with a technician.
- How can I manage reed performance and durability while marching?
Rotate between multiple reeds to prolong their lifespan. Store reeds in a protective case. Replace reeds when they show signs of wear. Use high-quality reeds suitable for outdoor use.
We recommend the Legere Classic reeds for clarinets to provide a rich, robust tone with excellent projection and durability for the marching season.
Reed choice is a very personal decision and there is no one best reed that applies to all players. What one player may look for in a reed, may be completely different than another. With that said, top brands do typically outperform emerging brands due to more sophisticated manufacturing processes and higher quality materials.
In regards to synthetic reeds, there are only two brands with significant market share. They are:
- Légère Reeds (that’s us!)
- Fibracell
Top cane reed manufacturers include:
- Vandoren
- Rico by D’addario
- Gonzalez
- Marca Reeds
Within these brands exist many different cuts, so refer to manufacturer’s websites for more information.
Knowing when a Légère reed needs replacement is essential for maintaining optimal performance. Here are some signs that indicate it may be time to make a change:
- Decreased Responsiveness: If you notice that your reed is not responding as well as it used to, meaning it’s harder to produce clear notes or articulations, it might be time for an adjustment or replacement.
- Change in Tone Quality: A decline in the quality of sound produced by your instrument could be due to a worn-out or improperly adjusted reed. If your tone becomes dull, airy, or inconsistent, it’s worth checking the condition of your reed.
- Visible Damage: Inspect your reed regularly for any visible signs of damage, such as cracks, chips, or warping. Even small imperfections can affect the reed’s performance and may indicate that it needs to be replaced.
- Age and Usage: Keep track of how long you’ve been using a particular reed and how frequently you play. Over time, reeds naturally wear out and lose their responsiveness, so regular replacement is necessary to maintain consistent performance quality.
If you notice any of these signs, it’s a good idea to inspect your Légère reed closely and consider whether it needs replacement.
Here are some tips to help you get the most life out of your Légère reeds:
- Rotate Your Reeds: Avoid using the same reed every time you play. Rotate between multiple reeds to allow them to rest between uses and to minimize wear and tear on any single reed.
- Prevent Warping and Damage: Store your reeds in a reed case that puts minimal pressure on the tip of the reed to prevent damage or impact.
- Clean Your Mouthpiece: Regularly clean your mouthpiece to remove buildup of material that can degrade reed performance over time.
- Replace Worn Reeds: Know when it’s time to retire a reed and replace it with a new one. Signs of a worn-out reed include loss of responsiveness, diminished tone quality, and visible damage such as chips or cracks.
By following these tips, you can prolong the life of your Légère reeds and maintain consistent performance quality.
The right reed strength is determined mostly by player preference. Some players prefer softer reeds, and some prefer harder reeds. The strength of the reed affects the oboe’s tone, responsiveness, and resistance. Oboe reed strength is not standardized between makers, but most players begin with a strength that feels moderate and provides some resistance but plays easily still.
Oboe reeds do get divided into different “scrapes” – that is, the way the reed is filed for playing purposes. In Europe, the “European” scrape is more common, and in North America, the “American” scrape is more common. In other areas, they tend to align with whichever of those two geographical areas are closer, however there is no consistency.
Players of the “European” scrape will prefer to begin with the Medium-Soft Legere oboe reed. Many players of the “American” scrape have found success with the Medium-Soft Legere oboe reed as well, but many North American players do prefer an “American” scrape reed.
The right reed strength is determined mostly by player preference. Some players prefer softer reeds, and some prefer harder reeds. The strength of the reed affects the bassoon’s tone, responsiveness, and resistance. Bassoon reed strength is not standardized between makers, but most players begin with a strength that feels moderate and provides some resistance but plays easily still. In Legere reeds, that would be the Medium strength.
For saxophone and clarinet, the general wisdom is to begin with a 2.50 strength reed. This most common strength provides an ease of playing, but with enough resistance to not play too easily and overblow. It also helps to begin the process of strengthening the embouchure and developing the muscles needed for control throughout the range of the instrument.
Exceptions to this do occur, including for younger children beginning to play, but the majority of players of most other levels begin with 2.50 strength.
See how strengths look between reed companies at our strength chart.
The right reed strength is determined mostly by player preference. Some players prefer softer reeds, and some prefer harder reeds. The strength of the reed affects the clarinet’s tone, responsiveness, and resistance. The strength also is affected by the type, size, and shape of the mouthpiece.
A reed that is too strong can feel resistant, stuffy, fuzzy in tone, or unfocused. It may simply not play! A reed that is too soft can lack control of tone, only playing loud, be out of tune, or “close down” when the reed cannot be controlled by the embouchure. Both of these pose problems for players, which is why the correct strength is essential for your reeds.
If you need to exchange a reed to find the right strength, visit our exchange form.