B
Benjamin Giesbrecht (Calgary, CA) As a doubler, this is exactly the reed I want in every characteristic: highly responsive, even when not warm. It just goes, without having to think about it. Tone is flexible - brightish but can be darkened without too much effort.
D
Don Larson (Champlin, US) I’ve been using these reeds with my Ridenour low C bass and have always been happy with them.
A
AVINASHKAUR SOHAL (Irvington, US) Bass Clarinet European Cut
D
Doma (Saint-Hubert, CA) Beautiful sound, exactly what I was looking for.
G
Gail Winchester (Washington, US) I prefer the french cut sound.. I use a Syos tenor sax mouthpiece and the bass clarinet legere is a little too wide. Guess I’ll stick with your tenor french cut👍